|
|
PITTONI, Giambattista
Italian Rococo Era Painter, 1687-1767
Italian painter and draughtsman. With Giambattista Tiepolo and Piazzetta, he was the most representative history painter of the Venetian Rococo. Besides altarpieces for Venetian and other churches as well as devotional images for private clients on both sides of the Alps, he painted subjects from mythology and Classical literature for collectors and connoisseurs in a Rococo idiom all his own; it is these secular pictures for which he is best known. Zava Boccazzi's catalogue raisonn of Pittoni's paintings (1979) includes 247 extant autograph works and 117 paintings now lost, destroyed or untraced. Binion's catalogue raisonn? of the artist's drawings (1983) lists 304 sheets. Pittoni's total output must have been far larger, as is evident from the drawings, many of which are studies for unknown works. For instance, Pittoni must occasionally have painted decorations for secular buildings and palazzi, probably in fresco, though none has yet come to light, with the notable exception of the few frescoes with scenes from the Life of Diana, painted in 1727 in the palazzetto Widman in Bagnoli di Sopra near Padua. Related Paintings of PITTONI, Giambattista :. | Polyxenes Sacrificing to the Gods of Achilles (mk05) | Death of Sophonisba g | Annunciation ery | The Sacrifice of Polyxena | Sts Jerome and Peter of Alcantara | Related Artists: Benjamin C.BrownAmerican,is best remembered for his Impressionist renderings of the Sierra Mountains and poppy-filled spring meadows.1865-1942 SERRA, PedroSpanish painter
active 1363-1399 Willem DrostDutch Baroque Era Painter, ca.1630-1680
Dutch painter, draughtsman and printmaker, possibly of German origin. According to Houbraken, he was a pupil of Rembrandt, possibly in or shortly before 1650. An early etching signed w drost 1652 is probably a self-portrait, in which Drost portrayed himself as a young man drawing. His earliest dated paintings are two pendants of 1653: the Portrait of a Man (New York, Met.) and the Portrait of a Woman .
|
|
|
|
|
|
|
|